I guess I better show you what it is that I do. The most recent is on top. That means that if I’m getting better, the songs will get worse as you go down.


My white whale. My pride and joy. The gift that keeps on giving. Virginia Woolf’s Mrs. Dalloway. I’m not ready to share any real music from this, but here’s a cut song from years ago that will never make it back in but I still really like it. This was Clarissa’s I Want. She just wants clarity.

Composer demo. Listen to those virtual strings!


A song about toothpaste that came out nice.


I reimagined some tunes for the handsome Ben Crawford on two EPs in 2021. I wrote the parts, served as the middleman for all the digital COVID-era recording, did some little synths and twinkly keys here and there, and did some light work on the audio before sending it to Dean Sharenow who mixed and mastered it proper.

My favorite tune of the eight is Silent Night. So happy with it!


Analise Scarpaci sings “Her Heart” from WILDHEART.

In January 2018, Josh Call told me that people who get organ transplants sometimes start to like the same foods as the people whose organs they get. Fast forward a year and a half, and we wrote WILDHEART, an action adventure musical about a twelve year old heart transplant recipient whose heart’s former owner tells her she has superpowers. It’s a story about growing up, disability, facing uncertainty, and learning how to need people.

STILL ALIVE (composer demo): This song was ultimately cut but I mean come on. It’s a good tune!
BORING CITY (composer demo): In this one, Immy convinces her new best friend Odie to help her find her superpowers.


Back in Fall 2017, Pace University did a production of Lysistrata, and I wrote the music and lyrics for it. It was a very bizarre futuristic adaptation (it took place in the year 2069), and we put it up at 3LD. I was also in it and music directed it and kept writing songs pretty much up until tech. I didn’t sleep for months. In hindsight it’s the most college thing I can imagine. I’ll take these songs off this site soon.

TRANSFORMATION: This is the song that plays when the women come out wearing the clothes that will make the men horny. When we did it, all the men laid down on the ground and made sex noises. There aren’t any words in this tune or anything, I just really like it and wanted to put it on my website. It’s my site I can do what I want.
I SEE ME IN YOU: Here’s the finale, folks. The men got so horny that they decided women are people. In this song they sing dance in the face of their impending perpetual disagreement. I like to call the sound that comes in at 1:49 the “Fart Bass.”


This is random but I wrote the band parts for this and it sounds so good!! Listen!